Both composers have worked extensively with electronic music, including their work on the celebrated, techno-infused Run Lola Run soundtrack. "The infusion of electronic music into the score ultimately expanded into the inclusion of 11 remixes on the album, and it was an amalgam of inspirations which brought that idea to fruition. The technology has come so far since I started scoring film.'" We had a lot of fun mixing electronics with classical orchestra. "Johnny Klimek elaborated, 'We spent several months working on material for The Matrix Resurrections, building the main themes, crafting alternative arrangements and electronic variants. That needs to be represented in the music and that is what we are trying to investigate musically.' See the Record Shop at Mondo Johnny and I felt our challenge for the music was to pay tribute to The Matrix lineage and also support this cinematic endeavor of expanding that legacy to explore new directions. And yet, this film is playful and emotional with complex development, open in every direction.
It started a movement, which we are paying tribute to with this music. And what's particularly fantastic about it is that it was also, to my knowledge, one of the first film scores that so implemented electronic music and connected it with progressive late-modern orchestral music. In my opinion, The Matrix Trilogy is one of the great scores of all time. 'There's a powerful and distinct musical legacy here.
Per press release, "Tom Tykwer discussed the composers' work on The Matrix Resurrections.
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